Now showing items 1-3 of 3

    • Marginality in the contemporary british novel 

      Kılıç, Mine Özyurt (Taylor & Francis, 2011)
      Bergmann Loizeaux argues convincingly that the ekphrastic poet often felt a kinship with painters of the past, especially in the twentieth century. Marginalized as members of an elite form of art, poets sought visual ...
    • Wilde against Victorian England 

      Ertürk, Elif (Doğuş Üniversitesi Sosyal Bilimler Enstitüsü, 2010)
      This work seeks to display Wilde’s art, aesthetic and moral principles and the practice of these concepts in The Picture of Dorian Gray as well as in his play The Importance of Being Earnest. Wilde’s art and morality cannot ...
    • Zamyatin, Huxley, and Orwell: utopian ideals and dystopian worlds 

      Beyazoğlu, Melek Didem (Doğuş Üniversitesi Sosyal Bilimler Enstitüsü, 2010)
      The purpose of this study is to demonstrate the transformation of utopian dream to dystopian reality through an analysis of Yevgeny Zamyatin’s We (1921), Aldous Huxley’s Brave New World (1932) and George Orwell’s Nineteen ...